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A couple walks hand in hand through a shower of confetti as guests cheer around them, in black and white.

Celebrations, considered in every detail.

We design, plan and produce extraordinary celebrations, from the first decision to the final moment.

The premise

Beautiful is only what you see.


A celebration is not assembled from parts. It is composed — and what makes one unforgettable is almost never the thing anyone points at afterwards. We work on the part nobody photographs.

What you experience

An evening that seems to have arranged itself.

A brick-walled industrial hall at night, lit amber, with woven pendant lights suspended above a circular dance floor.
What makes it possible

Everything arrives before anyone notices they wanted it.


Timing decides how a moment lands. Atmosphere decides whether people stay in the room. Precision decides that nothing interrupts either one. That work is finished long before the first guest arrives — which is exactly why no one can see it.

Anticipation

What is needed, in place before anyone asks for it.

An empty ballroom with fabric draped across the ceiling and a patterned dance floor, set and waiting.
Timing

The same moment lands differently an hour later.

A couple crossing a room in a dense fall of confetti as the celebration begins.
Atmosphere

Light, sound and material, decided together.

An illuminated arch glowing in the dark, opening onto a second arch further along.
Precision

Nothing reaches the evening untested.

A close view of the moss canopy, its dense green texture filling the frame.
Selected work

Evidence, not decoration.


A short selection. Each one is here because of a decision that changed what the day became — not because of how it photographed.

  • Destination celebration
  • San Miguel de Allende
  • 2025

An intimate celebration shaped around architecture, light and human connection.

A dense moss canopy suspended over dining tables in an open grove, daylight filtering through the trees beyond.
The intention

Creating intimacy inside a courtyard far larger than the guest count — a space built to be admired, not inhabited.

The decisions

The evening was divided into three smaller rooms made of light rather than walls, and the seating was set against the architecture instead of centred within it.

What it became

Nobody remarked on the size of the building. They remarked on how easy it was to find the person they were looking for.

  • Private wedding
  • Valle de Bravo
  • 2024

A celebration designed to move, so that no one spent the evening in the same chair.

The intention

Keeping two hundred guests in motion without the day ever feeling scheduled.

The decisions

Rhythm replaced the timeline: each transition was cued by a change in light and sound rather than an announcement.

What it became

Guests moved because the room asked them to. Not one of them was told where to go, and not one of them stayed where they started.

A couple laughing together in front of a terracotta wall and a garden of tall cacti.
  • Family celebration
  • Ciudad de México
  • 2024

Forty people, one long table, and a material palette that carried the whole story.

A sculptural installation of mirrored spheres on white plinths, framed by dark foliage.
The intention

Making a small gathering feel deliberate rather than modest.

The decisions

Scale was traded for material. Every object on the table was chosen for how it would feel in the hand, and the room was lit low enough that the surface became the event.

What it became

The dinner ran two hours past its end. Nobody moved to another room, because there was no other room worth moving to.

White orchids and candles along a draped table edge in low, diffused light.
Design evidence

A room is decided before it is built.


The drawing came first — structure, light, the path between tables. What followed was not an interpretation of it. It was the same room, made.

A line drawing of the hall in perspective: an arched window, structural columns, a spiral pendant lamp and long tables with cross-back chairs.
Intention
The same hall built out: long tables under the arched window, hanging lights and low floral runners.
Result · A 2025 project, industrial hall.

If this is the level of consideration you want for your own celebration,Begin a conversation

Expertise

The decisions you never see are the ones you feel.


None of these questions appears on a proposal. All of them decide what the day becomes.

How much is enough?

Most celebrations are over-filled, not under-designed. Knowing what to leave out is the harder discipline, and the one that separates a room you remember from a room you photographed.

When should it happen?

The same moment lands differently at seven than at nine. Timing is not scheduling — it is knowing when a room is ready to receive something, and being willing to wait for it.

Who needs to know what, and when?

Forty people make a celebration happen and none of them should need the whole picture. Deciding what each one holds, and at what moment, is what keeps the day from ever looking managed.

What happens when something changes?

Something always changes. The question is whether the alternative was decided months ago in a quiet room, or is being invented in front of your guests.

The approach

How the studio thinks, in four movements.


Not stages of a service. Four ways of paying attention, all of them active from the first conversation to the last hour of the evening.

Understand

Before anything is designed, what is actually being celebrated has to be understood — and it is rarely what the first conversation suggests. Everything else depends on getting this one right.

Design

Not decorating a venue: deciding how the evening will be lived. Where people gather, what they see first, how the room changes when the light does.

Produce

Every decision is tested before it is trusted. Samples, mock-ups, rehearsals — the evening is not the first time any of it exists.

Direct

On the day, the work is invisible and constant. Reading the room, adjusting in silence, and holding the intention when reality negotiates with it.

The studio

Behind the decisions.


A small studio, deliberately. Every celebration is led by the person who designed it — there is no handover, and no version of this work that scales by adding names to a roster.

We would rather do fewer celebrations and be able to answer for every decision in them.

CMeraz Studio

What you are trusting is not a service. It is judgment — accumulated over years of rooms that had to work the first time, with no rehearsal and no second date.

Client perspective

The change is not in the celebration. It is in you.

Sculpted columns rising into a suspended fabric ceiling in layered terracotta tones, with crystal chandeliers and hanging floral spheres between them.
What remains

The truest measure of our work is how the people who lived the day remember it.

Messages are shown exactly as they were sent, unedited and in Spanish.

no nos preocupamos por absolutamente nada porque sabíamos que tú estabas al pendiente de todo.

A week after the wedding

cuando llegamos al salón y nos enseñaste nuestra boda, la cabeza nos explotó, era irreal como habías transformado casa lago, el render era nada comparado con lo que estábamos viendo.

Earlier in the same message

el render era una foto del evento como tal.

A different client · A month after the wedding

Todo fue super profesional y al mismo tiempo nos sentimos mucho en confianza con un amigo.

Days after the wedding
Not only ours

y no solo es nuestra perspectiva, no ha habido persona que no nos haya dicho que estuvo increíble todo!

Amigo, volvería a repetir el día mil veces 🤍🤍

Lit, no dejamos de platicar con familia y amigos lo chingon que todo mundo la paso

Nadie dejó la pista ni un momento

Padrísimo todo! La gozamos de principio a fin. … Todos nuestros invitados felices también. Lo volveríamos a repetir mil veces. 🫶🏻🫶🏻✨

Two different clients

sin mayor duda alguna fue la mejor decisión que tomé en relación a la boda.

A month after the wedding

La mejor decisión fue haberte escogido como nuestro wedding planner!

Neither of them knew the other had written it.

One year later

Ya paso un año😱😱 acabamos de ver el video de la boda otra vez y woooooow te quedo irreal de verdad muchisimas gracias!!!!! Estuvimos muy muy felices en nuestra boda!!!!

If you would rather be present at your own celebration,Begin a conversation

Begin a conversation

Tell us what you're imagining.


We take on a small number of celebrations each year, and every one begins the same way: a conversation about what the day is actually for. No packages, no price lists — those come later, and only once we both know what we are designing.

Write to us in whichever language you prefer.Escríbenos en el idioma que prefieras.

Who you are

Optional. Only if you would rather we call.

The celebration

Optional. An approximate date is enough.

Optional. A rough number is enough.

Whatever you already know: the place, the mood, what matters to you. It does not need to be resolved. Do not include medical, financial or other sensitive personal information.

Your data

How we handle your data

Data controller
HUB PYFORMA, operating commercially as Punto y Forma and CMeraz Studio
What we receive
Your name and email, and — only if you choose to share them — your phone number, the date, location, size and approximate investment of your celebration, and whatever you tell us about it.
What we use it for
To respond to your enquiry and continue the conversation about your celebration. Nothing else.
How long we keep it
We keep your enquiry for 24 months from the date you send it, unless you ask us to delete it sooner.
Access, correction or deletion
Write to us at backoffice@puntoyforma.com.

The Spanish version of the Privacy Notice is the legal reference; this English text is a functional translation provided for clarity, not a certified legal translation.

Optional. You can withdraw your consent at any time by writing to backoffice@puntoyforma.com.


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